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Umea, Sweden UK, 25 June 2020: Intinor, Sweden’s leading developer of products and solutions for high-quality video over public internet, today announced that the Festival of German-Language Literature was streamed live using Intinor’s solution for remote production in an unusual way.

The annual festival normally takes place in Klagenfurt, Austria, and culminates in the awarding of the Ingeborg Bachmann Prize, one of Germany’s most prestigious awards for literature.

However, this year the prize-giving took place under different circumstances, i.e., from home. Coordinated and streamed by Austria-based Remotion Media Production and Services, Intinor Direkt link encoders were safely established in the homes of 14 authors and jury members scattered throughout Austria, Germany and Switzerland to produce seven live channels routed through to Remotion’s Klagenfurt master control room where a Direkt router rack was placed.

To allow the most robust transmission, Remotion used Intinor’s own protocol “Bifrost Reliable Transport” (BRT™). This protocol provides very strong protection against lost or late packets while simultaneously adding redundancy with network bonding over LAN & 4G.

The program feed was then “pulled back” to each location for confidence monitoring purposes. Intinor's solution for 4-wire talkback was used to provide a professional ‘mix-minus audio’.

Intinor Sales Manager, Europe, Martin Weber, said, “We would like to thank Remotion for their expertise and trust in Intinor to produce this important live streaming event which was flawlessly broadcast on 3sat in Germany, ORF in Austria, and SRF in Switzerland as well as multiple web-streaming platforms."

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

Cambridge, UK, 18 June 2020: Pixel Power, the global leader in graphics production and playout automation, has appointed Sarah Deas to its head office team. Deas will provide internal sales support to the sales teams in the Cambridge base and regional offices in North America, South-East Asia and the Middle East.

“I am delighted to be joining Pixel Power right now as the business grows in the playout automation and non-linear content delivery market”, said Deas. “Pixel Power has been a rock solid name in the industry for decades and the transition to being a major player in master control playout connects directly with my 15 year experience in the industry in business analysis and asset management. Developing this further through automated workflows and automation/playout is a natural step.”

Pixel Power continues to invest in staff with in-depth experience in order to deliver precisely tailored solutions to broadcast and media companies around the world. Expert sales support is imperative during the customer consultation process. Deas’s focus on detail in this phase complements the precision designs created by the solution managers that enable the software defined solutions to deliver exactly what broadcast and media customers are looking to achieve.

“Internal sales programmes are critical to ensuring all parts of the process from initial consultation through to deployment are well connected”, said James Gilbert, CEO of Pixel Power. “The current crisis has brought home to broadcasters everywhere just how important it is to have flexible and scalable software solutions if they to react to dramatic changes in workflows and demand. Our software defined installations have been enabling broadcasters to quickly switch their operators to work from home or remote locations. It is this flexibility and speed that is getting the attention of many major media and broadcast companies worldwide who want us to be part of their new normal.

London, UK, 2 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, today announced the launch of U50. Designed and manufactured during the lockdown period, the U50 is a heavy-duty remote head that enables camera operators to safely return to work and control the biggest box lenses and heaviest broadcast camera set-ups remotely.

Offering the ultimate for camera remote control and remote production, U50 combats the current challenges and unique requirements in the Covid-19 affected world. Making it possible to operate large box lenses and cameras remotely, U50 achieves the same precision and agility when camera operators are controlling manually and on-site. With no other remote head capable of smoothly and quickly operating box lenses and with on-site production crews dramatically decreasing, this innovation offers a new solution to tackle current challenges.

Danny Zemanek, Freelance Camera Operator explained, “Previously remote production technology was an additional cost for broadcasters, but now it is essential to ensure camera operators can work safely. The U50 remote head from Mo-Sys represents a new way that operators can control big box lenses with the same precision and agility that we have come to expect.”

Built on the same high-precision backlash free drives in the successful Mo-Sys L40 remote head, the U50 head enables fast acceleration and deceleration of heavy broadcast camera packages with super telephoto lenses of up to 50kg. The unique combination of a U-shape space-frame design and zero backlash drives give U50 enough strength to achieve fast panning shots with no bouncing, even when zoomed in. Whether you are following a puck in an Ice Hockey game or trailing F1 cars on a racetrack, U50 allows you to precisely follow the action.

The U50 is specifically designed to allow remote operation, eliminating the need for operators to manually pan and tilt the camera onsite. Instead they can move the camera remotely from a control room with an intuitive pan bar that translates operator movements 1:1 to the remote head. And with the Mo-Sys TimeCam option soon to be made available, U50 has the potential to be operated anywhere in the world with virtually no delay by using Mo-Sys’ delay compensated global remote-control technique.

Michael Geissler, CEO Mo-Sys Engineering Ltd said, “Our U50 is ideal for sporting events and long-range filming environments. At the core of the U50 are our highly robust pan and tilt motors with zero backlash, providing lag-free operation. Using the power and sturdiness of the Mo-Sys L40 pan and tilt motors, but now with a double space-frame design, the U50 is Mo-Sys’ strongest head to date.”

Extremely strong and backlash-free drive units give operators instant and delay-free control. The precise gear drives enable flawless operation even with the biggest zoom lenses, unlike worm gear drives which can cause judder. The hole through the centre of the gear boxes for cable pass-through removes the need for slip-rings and makes it future-proof for high bandwidth digital video. This also allows for tangle free direct cabling.

Geissler added, “Just like the rest of our broadcast robotics and film remote heads, the U50 can be operated with a variety of input devices such as hand-wheels, pan-bar or joystick. It can be connected through a bus cable, ethernet or fibre for long distances. The button-console interface provides controls for pan/tilt velocity adjustment, input smoothing and direction, user defined position limits with feathering and axes zeroing.

“Whether you’re a freelance cameraman, work in production, broadcast, OBs, rental, virtual events, corporate or sports,” Geissler concluded, “Our U50 simplifies the operation of the head in remote-mode making it ideal for all those operating and involved – be they technical or not.”

Umea, Sweden, 01 June 2020 — Intinor Technology, Sweden’s leading developer of products and solutions for high quality video over internet, is working closely with American companies JB&A, a value add distributor specialising in the field of video, broadcast, production & proAV, and NewTek, the leader in IP-based video technology, to connect with the American broadcast industry.

At a time when travel and face to face meetings are restricted, Intinor has been keen to work closely with its regional partners across the globe to find alternative ways to connect with local broadcasting companies, offering webinars and online demonstrations with the opportunity for live Q&A sessions.

This is a particularly important time for Intinor to connect with customers. The ongoing crisis is leading many companies to re-evaluate their production facilities and to consider creating new remote production workflows that not only overcome the current challenges of social distancing but also offer long-term economic and productivity benefits. Intinor’s solutions are known as the “Swedish Army Knife” for an all-IP infrastructure.

Daniel Lundstedt, Marketing Coordinator for Intinor said: “In these challenging times, the broadcast industry and producers are looking for alternative ways to distribute and produce their content. Most broadcasters are used to working with secure connections, using satellite or dedicated fiber, and have been wary of using the public internet due to the risk of packet loss, latency issues on networks etc.

“One of the major challenges in switching from the more traditional workflows to remote production is how to get around the inherent instability of the public internet” Lundstedt continues. “That’s where Intinor comes in because that’s what we do all the time.”

JB&A has been Intinor’s exclusive distributor in the USA for years and the two companies regularly run joint events. The webinar, which ran live on April 14th 2020 and is available to view on YouTube, aimed to educate viewers about REMI production (REMote Integration), REME (REMote Editorial viewing) and to demonstrate how broadcasters can implement these using the solutions that Intinor offers. Nicholas Smith, JB&A’s VP of Technology, hosted the event from Folsom, CA with Daniel Lundstedt representing Intinor from its base in Umea, Sweden.

Moving on from an introductory presentation, the webinar demonstrated the interoperability of Intinor’s Direkt product family, using many different input streams, laptops, mobile phones as well as encoders, as part of the production.

They also demonstrated Intinor’s own transport protocol, Bifrost BRT™, that has forward error correction, adaptive bitrate, ARQ, or resending, and network bonding. Other protocols are also supported, including SRT and many others.

Another American company that Intinor has often partnered with is NewTek. Intinor was due to promote its Direkt router studio alongside NewTek in the NDI® Pavilion at NAB this year as the products from these two companies fit together nicely in a Remote Production Workflow using content from a variety of sources. Since JB&A are also distributors for Newtek, this offers perfect synergy and value add for all three companies involved as well as their clients.

With the cancellation of NAB and numerous other industry shows due to COVID-19, NewTek has created its own TV channel, NewTekTV. NewTekTV aims to keep people up-to-date on technology news, live demos, support and expert advice as well as showing in itself the flexibility of IP-based, software-defined visual storytelling (#SDVS) on a global basis.

In their latest broadcast, focusing on how to keep sports fans engaged when there’s no sports going on, Lundstedt was invited on as a guest speaker to talk about how Intinor is using NDI® to help keep the world connected.

NewTekTV’s host, Richard Evans, was interested to hear about the remote workflows that Intinor offers and how Intinor’s Direkt router studio works with NewTek’s Tricaster to provide a complete solution for remote production.

“The Direkt router studio supports input from different IP streams, such as SRT, RTMP, or Intinor’s own protocol, BRT™ Bifrost, all of which offer ways to handle secure transmission even over poor internet connections” explained Lundstedt. “Content collected via the Direkt router can then be sent via NDI® to NewTek’s Tricasters which provide all the tools necessary for media production. Once the production is complete, this can then be transmitted via NDI® again back to the Direkt router which handles the broadcast of the finalised content, sending to multiple partners if required.”

Further webinars and online demos are planned. Check out Intinor’s Upcoming Events for more details.

Munich, Germany, 28 May 2020 - Cinegy today announced TURBOCUT, a new Adobe CC plug-in which significantly accelerates the editing of H.264/HEVC by utilising the NVIDIA GPU’s hardware decoder. This announcement coincides with Adobe releasing version 14.2 of Adobe Premiere with several new features added, but still missing NVIDIA hardware accelerated editing and using the NVIDIA GPU for decoding H.264 and HEVC.

As Jan Weigner, CEO Cinegy GmbH explained, “For many years, tens of thousands of users have been using the Daniel2 Plug-in for Adobe CC, which already offered the NVIDIA accelerated export of H.264 and HEVC. So when we accelerated the editing and import features, it was obvious that the original product name didn’t match the main goal of the plug-in with the Daniel2 video codec technology. TURBOCUT enables faster editing and production with better video quality and it’s also much easier to remember than Daniel2 Plugin for Adobe CC!

“This may not be that important for an owner of a dual 28-core Xeon processor workstation”, Weigner added, “but for those editing on a laptop or small PC and lucky enough to have a recent NVIDIA card installed, TURBOCUT will make a dramatic difference to their editing performance.”

The other main feature of TURBOCUT is that it brings the Daniel2 video codec to Adobe CC. When editing in the Daniel2 video format, which is the equivalent to Apple’s ProRes or AVID’s DNxHR, editing in 8K resolutions or higher is easily possible, even on relatively small machines (e.g. quad core processor) or laptops.

In addition, the TURBOCUT plug-in enables the use of the Daniel2 video codec as a preview file format, providing another significant performance boost over all other codecs. No matter what source format you are editing in, this will improve editing performance – and it’s free, as it’s always been, and available now for download from www.turbocut.com.

TURBOCUT and Daniel2 are trademarks of Cinegy LLC. Cinegy is a registered trademark of Cinegy LLC.

 

 

Umea, Sweden 21 May 2020 — Intinor Technology, Sweden’s leading developer of products and solutions for high quality video over the internet, will be demonstrating how to do remote production in a series of live webinars with Danish company Skaarhoj, manufacturers of universal broadcast control panels. The aim is to showcase how the remote production tools from both Intinor and Skaarhoj complement each other to give a flexible, secure workflow for live production using a variety of different content sources and locations.

Interest in remote production workflows (or REMI) has been on the increase for some time now already. Even before the current global social distancing requirements created an added incentive for broadcasting companies to seek an alternative to the traditional travel-dependent methods of production, the economic and productivity benefits that REMI offers enables companies to more easily meet the rising demand for live content.

The live webinars in themselves will be remote productions between Denmark and Sweden with PTZ cameras in Intinor’s base in Umea, Sweden, and at another location in Stockholm, Sweden, being remotely controlled by Skaarhoj’s control panels at their headquarters in Copenhagen, Denmark.

“Our mission is to ease the use of broadcast hardware for people making live video” says Skaarhoj’s CEO, Founder and Chief Designer, Kasper Skårhøj. “Our universal broadcast controllers give content producers an incredibly flexible hardware platform for their ever changing control needs.”

Skaarhoj is running weekly webinars demonstrating their controllers in action. For the webinar with Intinor, the inputs from a variety of sources will be managed using Intinor’s Direkt router studio. The interoperability Intinor provides is a big advantage to live remote productions where content may be coming in from cameras, laptop and even mobile phones via a variety of different IP streams and protocols.

Daniel Lundstedt, Marketing Coordinator for Intinor, says “The Direkt router studio supports input from different IP streams, such as SRT, RTMP, or Intinor’s own protocol, BRT™ Bifrost, all of which offer ways to handle secure transmission even over poor internet connections.”

“One of the major challenges in switching from the more traditional workflows to remote production is how to get around the inherent instability of the public internet” continues Lundstedt. “That’s where Intinor comes in because that’s what we do all the time.”

Intinor’s own transport protocol, Bifrost BRT™, will be demonstrated during the webinar. This offers forward error correction, adaptive bitrate, ARQ, or resending, and network bonding.

Lundstedt added “We aim to show people how they can save money and time by setting up a remote production workflow and cutting out what becomes unnecessary travel. There are many benefits to a remote workflow and, in these times, it is an essential tool.”

The webinars will run on Tuesday May 26th at various different times to allow for global time preferences: (follow links to sign up)

8 AM CEST for APAC & MEA
4 PM CEST for EUROPE (and US)
8 PM CEST for US

Further webinars and online demos are planned. Check out Intinor’s Upcoming Events for more details.

Munich, Germany, 20 May 2020 – Cinegy, the global leader for broadcast playout software in the cloud has announced a new partnership with New Hampshire-based US Broadcast, a broadcast distributor that uses its channel marketing and technical skill sets to tailor sales for the North American market.

US Broadcast CTO Eric Pratt said, "US Broadcast is currently busy aiding resellers and customers with the technical challenges of connecting video and audio workflows, using our expertise in IP video and remote production to solve their problems. Lately, we’ve had an increase in enquiries with customers looking for help bridging the distance between contributors and production and we’re finding Cinegy’s software-based solutions are particularly relevant at this time.”

“Secure Reliable Transport (SRT) in particular,” Pratt continued, “is a technology that Cinegy integrates well to help meet this need in their media ingest, playout, and management. Being able to connect remote news anchors, venues, and facilities to their production workflow is important under normal circumstances, and now it’s imperative. Additionally, Cinegy’s software range fits perfectly with the other products in our vendor line card, making it an ideal partnership.”

Cinegy Managing Director, Co-owner, and Co-founder Daniella Weigner said, “US Broadcast has a long history of working with the film, television, broadcasting, and streaming industries, for small organizations and large. They understand the unique needs of the industry and only represent “best-of-breed" products and services that deliver real value for their customers. We are delighted to add our product range and expertise to US Broadcast’s complementary portfolio.”

One part of that portfolio of particular interest to the North American facilities is Cinegy TV Pack. This high-value, low-cost studio-in-a-box includes a full license for Cinegy’s industry leading Cinegy Air PRO playout software with Cinegy Titler branding, Cinegy Capture, four channels of Cinegy Multiviewer, the revolutionary Cinegy Live PRO IP video switcher, ultra-modern transcoding with Cinegy Convert and Cinegy Player, the company’s vastly superior video player.

Pratt added, “Cinegy’s full support across its range for SRT is a major advantage for Cinegy end users that we very much look forward to sharing with our North American customers.”

More information can be found by visiting www.cinegy.com

 

Aldermaston, UK, 18 May 2020: The leader in intelligent storage solutions, GB Labs, has announced a development partnership with ATTO Technology, Inc., a global leader of network, storage connectivity and infrastructure solutions, and has qualified ATTO 360™ Tuning, Monitoring, and Analytics Software with GB Labs CORE.4 operating system.

A network built with ATTO FastFrame™ Ethernet adapters and ThunderLink® Thunderbolt™ adapters can be optimised to perform far better than what’s commonly expected of Ethernet networks. ATTO 360 Tuning, Monitoring, and Analytics Software helps users easily and quickly tune networks to achieve maximum performance.

GB Labs CEO-CTO Dominic Harland said, “Any storage system can only be as good as the quality of the connection it has to creative workstations or processing platforms. This is especially true of our high-end Space and FastNAS platforms, which are so powerful and intuitive that they can actually be let down by a substandard link to the workstations they are there to drive.”

“We have now qualified ATTO 360 software with our CORE.4 OS environment, which means that users of both technologies can be confident they are consistently getting the top performance and most efficient operation from all systems at all times.”

"This application of ATTO 360 is exactly what it was designed for, which is to make it easy to optimise and manage networks," said Tom Kolniak, senior director of marketing at ATTO Technology. "We think GB Labs customers will really appreciate what 360 can do."

With some storage systems, users can struggle to find the optimum network settings and monitoring the speed of multiple connections can also be a challenge. Equally, fine tuning a network configuration for a specific type of workflow can be hit or miss. For example, those working with image sequences at high resolutions or VFX creatives have different demands on a network than those working with audio.

GB Labs systems, on the other hand, use learning algorithms that automatically adjust storage performance to always deliver the power when and where it is needed. However, even this is entirely dependent on a network storage infrastructure being well tuned.

Harland added, “Our in-house R&D team found that partnering our systems with ATTO 360 Ethernet tuning capabilities makes it very easy to configure and enable pre-sets for certain file types that in turn take full advantage of the newly optimised connection speed to get the most out of our storage solutions.

“The ability to instantly select between high throughput, low latency and multi-stream settings at the click of a button for each profile, makes ATTO 360 an equally intuitive complement to enable our range of systems to improve respective workflows even more.”

 

London, UK, 14 May 2020: Deep-tech company iSIZE Technologies has today announced the closure of its first seed funding round, raising a total of £740k from figures including Patrick Pichette, partner at Inovia Capital and ex- Google CFO; TD Veen AS, a notable Norwegian family office; and a number of other CDL investors. This round brings iSize total funding to date to over £1.3m.

The round was led by some of the leading tech investors of the inaugural Creative Destruction Lab programme at Oxford University’s Saïd Business School. iSIZE graduates the accelerator programme this month alongside only nine others, from over 250 applications, after an intensive nine-month programme.

iSIZE specialises in deep learning for video delivery and has developed a deep perceptual 'precoder' - a software solution that uses AI-trained to optimise visual quality in order to save video bitrate during encoding. Its flagship product, BitSave, available both as a SaaS platform at bitsave.tech and for on-premise use, reduces encoding bitrates by up to 40%, while at the same time enhancing video perceptual quality. This results in substantial data, energy and cost savings for both the company hosting the video and the end consumer.

Speaking after the round closed Pichette said: “Video capacity needs are exploding worldwide, with no end in sight for years to come. Managing capacity and costs are now becoming a strategic issue for many bandwidth providers, and iSIZE addresses this problem head on, with an innovative, amazingly elegant, platform agnostic solution. The results speak for themselves.”

CEO of iSIZE Technologies, Sergio Grce, added: “We are thrilled to have graduated from the CDL-Oxford and closed this seed funding round; our thanks to all our investors who see the potential of our technology to transform the world of streaming. Data centres contribute more global emissions than the aviation industry, and with lockdowns across the globe ever more people are turning to video content for entertainment or remote working. We are proud to be working with household names in the sector to reduce the strain on already-overburdened networks and cut the ballooning costs of the data centre and streaming industries.”

Board Advisor Paul Massara, ex-CEO of Npower, agreed with Grce: “I am very excited about the difference iSIZE can make to reducing both the cost and carbon associated with streaming, and glad to be involved on the Board. It is essential that we leverage advanced AI techniques to move to a low carbon economy, and the big data users should take note from a corporate social responsibility perspective.”

A leading investor in the round, CEO of TD Veen AS, Kjell Skappel concluded, “We often assume the internet is a solely virtual entity, but it has its roots in a very real chain of data centres, with very real energy and emissions costs. iSIZE’s solution is easy for tech giants to apply and brings significant benefits, so we are delighted to be part of bringing BitSave to a wider market.”

iSIZE now has its sights set on helping the giants of video streaming meet the challenges of an ever-increasing demand for high-quality video content; reducing the data cost of streaming video while simultaneously improving visual quality.

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